Thumbnails: 30 Second InterviewsJames Jean is something of a phenomenon -- still in his twenties, and yet he has made an enormous impact on comics and illustration. Currently, James is spending more time creating personal paintings along side his illustration. It’s well worth spending lots of time at his website — the sketches and travelogues are at least as interesting as the final artworks. His blog, ProcessRecess has tons of great in-progress material. Also well worth checking out is his visual “conversation” with artist Kinichie Hoshine at PoliteWinter.com .
Favorite painting you did in the past year?
The cover to Fables 54
Dream assignment?
Anything that allows for complete freedom, pays great, and offers wide exposure.
First break in the business?
Doing the annual report for the New Academy of Sciences, which included a wraparound cover and seven or so watercolor portraits. Thomas Woodruff recommended me for the assignment. Also, he recommended me to an art director at Simon & Schuster, who decided to 'try me out' on a book called Bad Girl Creek, which you can still find on Amazon. My first cover gig was also the absolute worst. It took some time before I could figure things out as an illustrator
Do you remember the first time you knew you wanted to be an artist?
It as during my foundation year at the School of Visual Arts. For the first time, I felt imbued with a sense of purpose and belonging.
How do you feel about your college training?
Art school was very important to me, a well as living in New York and forming friendships with some great artists.
Most embarrassing illustration related moment?
When Natalie Ascencios tried to fail me out of her drawing class at SVA.
A career highlight?
Honestly, every assignment I take on is a highlight until the next one comes along. Having that mindset helps keep the work fresh and interesting.
Your biggest influences?
My memories, dreams, and friends.
Advice to a young illustrator?
Be patient with your career, don't compromise your work, and make it personal.