


Here's another re-created pan background from HAWAIIAN HOLIDAY. Pluto chases a crab across this polynesian landscape. I've included left and right sections as well as the full pan so you can see all the details.
BEHIND THE SCENES IN THE WORLD OF ANIMATED FILMS
Our Ultraman obsessed web guy has posted the first of Tor's Nippon World Con podcasts. I've just started listening but it seems to be Patrick Nielsen Hayden and Tom Doherty giving a quick overview of World Cons in general and what's coming up at this year’s convention. I believe there will be a new podcast each day at noon (NY time), including an interview with George Takei.

I often wish there was more room on our list to bring in more artists that I’ve never worked with before. One problem is the amount of series titles we do. Another issue can be timing – if I'm pressed for time I feel more comfortable working with someone I already have an established relationship with. And then there is simply the fact that the group I am working with is really good and appropriate for much of our list. Still, it is fun to bring in new voices so I was happy that this week saw a convergence of three projects that called for new-to-me artists. 
Spectrum is showing off their 15th annual Call for Entries. Artwork by Marc Gabbana. Posters will be mailed out in October.
I had lunch today with one of my favorite exTorids, Will Smith. (No one ever really leaves the Tor family.) Will has been running an online book store called Hang Fire Books. He has also has a huge array of vintage book covers displayed in various Flickr sets. If you are not careful, you can spend much more time than you mean to poking around there.



The dirty secret of book design: Almost all books are only seen by their spines. It's true. We spend hours choosing artists, getting pictures painted, working on layouts, going to meetings, debating the merits of each cover and starting all over again, and then...they get shelved and typically all anyone sees is an inch or so of spine. (Unless it's fantasy, in which case that spine will be about three inches, but still...) It's not a lot of room to make a statement but hopefully we can put something together that will encourage a reader to pull a book out and look at the rest of the cover.



As a kid I used to like to draw from my brother’s Dungeons and Dragons book, Deities and Demigods, and my mom’s copy of The Larousse Encyclopedia of Mythology. (Which I still have.) One of my favorite images was this carving of Akhenaten seen in Larousse. I suppose it was because the linear forms were easy to draw, but I also remember enjoying the sun-rays-as-hands. So, how cool was it to run into this very piece of stone at the Franklin Institute’s King Tut exhibit? Pretty freakin’ cool, would be the answer. Sorry, Tut, my strongest memory of this show will be of daddy Akhenaten. 

Rick Berry is working on a new Judy Tarr book cover for us. He just sent a really nice sketch in and it reminded me of receiving these sketches for Queen of the Amazons a few years back. I remember getting very excited right at the beginning when Rick said something like, “I’ve been thinking about Leon Baskt.”
Tobias Buckell has posted a progression of Todd Lockwood’s painting for Sly Mongoose, the sequel to Crystal Rain and Ragamuffin.